If you've ever felt that classical ballet was lacking something, perhaps you were longing for frogs dancing on their hands...
or amazing poses assisted by stage equipment previously unknown to ballet, or a ballerina bent into really extreme shapes...
Or maybe what you have been missing, o less-than-fan of classical ballet, is a ballerina dancing on her partner's shoulder...
or head:
Overall, the spectacle was dazzling and impressive, and included several tricks I hadn't seen before in other Chinese acrobatic shows. My favorite new trick involved people rolling around in giant metal circles:
However, there was still something oddly lacking. Maybe it was a coherent story. I'm not too clear on the original story, but there wasn't much story here. Just the barest hint of some continuity from one scene to the next, just enough to provide an excuse for spectacular stage sets, amazing costumes, and tremendous feats of acrobatic skill.
Did I forget to mention the scene where all the supporting swan-ballerinas were on roller skates? That was probably my least favorite innovation. You'd think it would be cool to see them all gliding, but they didn't really glide - turns out, even on roller skates you need to move to propel yourself - and the movement was a lot less fluid than the floaty thing that real ballerinas do when they glide across the stage en masse....
Anyway, a good time was had by all, and if you have a chance to see it, I definitely recommend it. "And now for something completely different," guaranteed!
Here is a review by someone who knows more than I do about ballet.
One more day in Munich... thinking of taking Loopy to a Kandinsky show... she likes Kandinsky.
1 comment:
Actually, the show sounds remarkably Kandinsky like - Ballet without plot/painting with little plot, so beautiful but only a hint of a story - I can understand the appreciation mixed with emptiness. Great photos!
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